Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21st century. The New York Times refers to his ‘intensive expressiveness’ and describes him as a ‘fearless player with technique to burn’.

Müller-Schott guests with international leading orchestras—in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe the Berliner Philharmoniker, the Gewandhausorchester Leipzig, Bayrisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, Munich, Frankfurt, Stuttgart, Leipzig and Hamburg, Copenhagen and Paris, Tonhalle-Orchester Zurich, the London Symphony and Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Spanish National Orchestra as well as in Australia with the Sydney and Melbourne Symphony Orchestra and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra (NSO) and Seoul Philharmonic Orchestra. He has appeared worldwide in concert with such renowned conductors as Vladimir Ashkenazy, Thomas Dausgaard, Christoph Eschenbach, Iván Fischer, Alan Gilbert, Gustavo Gimeno, Bernard Haitink, Neeme Järvi, Karina Canellakis, Dmitrij Kitajenko, Susanna Mälkki, Andris Nelsons, Gianandrea Noseda, Andrés Orozco-Estrada, Kirill Petrenko, Michael Sanderling and Krzysztof Urbański. Many years of musical collaboration linked him with Kurt Masur, Lorin Maazel, Yakov Kreizberg and Sir André Previn.

In addition to performances of the great cello concertos, Daniel Müller-Schott has a special interest in discovering unknown works and extending the cello repertoire, including his own transcriptions and through cooperation with contemporary composers. Sir André Previn and Peter Ruzicka have dedicated cello concertos to him, which were premiered under the direction of the composers with the Gewandhausorchester Leipzig and the Kammerphilharmonie Bremen.

Daniel Müller-Schott receives Opus Klassik 2020 solo recording award

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Simone Young has been Artistic Director of the Hamburg State Opera and Chief Music Director of the Hamburg Philharmonic since August 2005. She has conducted here a broad musical spectrum of premieres and repertoire performances ranging from Mozart, Verdi, Puccini, Wagner and Strauss to Hindemith, Britten and Henze. At the State Opera and with the Hamburg Philharmonic, she has been able to achieve great successes with world premieres and several German premieres. Simone Young has made an international name for herself as a Wagner conductor: she was music director of several complete cycles of the Ring of the Nibelung at the Vienna State Opera and the State Opera Unter den Linden in Berlin. She forged her own Ring with great success at the Hamburg State Opera, conducting the complete cycle here as well. Engagements led the Sydney-born conductor to all the leading opera houses of the world, including the Vienna State Opera, the Opéra National de Paris, the Royal Opera House Covent Garden in London, the Bavarian State Opera, the Metropolitan Opera in New York and the Los Angeles Opera. Alongside her extensive operatic activities, Simone Young has also made a name for herself on the concert podium. She has worked with all the leading orchestras, including the Vienna Philharmonic, the Berlin Philharmonic and the London Philharmonic Orchestra. Simone Young directed the Bergen Philharmonic Orchestra as Principal Conductor from 1999 until 2002 and was Artistic Director and Principal Conductor of the Australian Opera in Sydney and Melbourne from January 2001 until December 2003. From 2007 until 2013 she also was Principal Guest Conductor of the Lisbon Gulbenkian Orchestra.

Simone Young appears on numerous recordings. For example, alongside recordings from the Hamburg State Opera such as Mathis der Maler, Das Rheingold, Die Walküre, Siegfried and Götterdämmerung on OehmsClassics, there are also several recordings with the Hamburg Philharmonic. Among others, ten Bruckner symphonies have been issued as well as the Second and the Sixth Symphony of Gustav Mahler and the symphonies of Johannes Brahms.

Simone Young has received numerous prizes and awards. She is an honorary doctor of the Universities of Sydney and Melbourne, Professor at the Academy of Music and Theatre in Hamburg, a member of the Order of Australia and a “Chevalier des Arts et des Lettres” as well as a recipient of the Goethe Medal. She was honoured as “Conductor of the Year” for her first opera season in Hamburg, and also received the Schleswig-Holstein Brahms Prize. In 2009, together with the Hamburg Philharmonic, she made the Hanseatic City into the world’s largest concert hall – from the Michel Tower, she conducted 100 musicians at 50 locations throughout the city.

In 2012 Simone Young, the Hamburg Philharmonic and soloists of the Hamburg State Opera presented Wagner’s Das Rheingold and Mahler’s Second Symphony in Brisbane, Australia, for which Young received the Helpmann Award in the category of “Best Individual Classical Music Performance” in 2013.

Translation: David Babcock

Bruckner’s 200th anniversary: Interview with Simone Young on Symphony No. 6 (Gramophone)

Feature interview: At 200, Bruckner Is More Popular Than Ever With Conductors. Why? (The New York Times)

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Jun Märkl is a highly respected interpreter of core Germanic repertoire and is renowned for his refined and idiomatic explorations of the French Impressionists. He currently serves as music director of the Taiwan National Symphony Orchestra and the Indianapolis Symphony Orchestra, and is the chief conductor of the Residentie Orchestra of The Hague, Netherlands. He is also principal guest conductor of the Oregon Symphony.

Märkl’s expertise in the world of opera and long relationships with the state operas of Vienna, Berlin, Munich, Berlin, Semperoper Dresden, The Metropolitan Opera, San Francisco Opera and New National Theatre in Tokyo have been complemented over the past decades by his orchestral music directorships of the Orchestre National de Lyon, MDR Leipzig Radio Symphony Orchestra, Basque National Orchestra and the Malaysian Philharmonic Orchestra. Märkl regularly guest conducts leading international orchestras, and has led The Philadelphia Orchestra, the Bavarian Radio Symphony Orchestra, Netherlands Radio Philharmonic Orchestra and NHK Symphony Orchestra, Tokyo, among many others.

He also has an extensive discography of over 55 recordings, and in 2012 he was honoured with the Chevalier de l’Ordre des Arts et des Lettres. He studied in Munich with Sergiu Celibidache and at Tanglewood with Leonard Bernstein and Seiji Ozawa. Märkl is highly dedicated to work with young musicians: for many years he worked as principal conductor at the Pacific Music Festival in Sapporo and the Aspen Music Festival in Colorado. He teaches as a guest professor at the Kunitachi College of Music, Tokyo and recently founded the National Youth Symphony Orchestra of Taiwan.

www.junmarkl.com

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